First Day Of S.F’.s Annual Japanese Pop Culture Fest Presents Live Performances By JAM Project, Eir Aoi, Gacharic Spin, JinnyOops!, Akabane Vulgars on Strong Bypass, Faint★Star, FES★TIVE, Comedy Duo Jaru Jaru, A Cappella Group Little Glee Monster And More!
San Francisco, CA, June 24, 2015 – The 2015 J-POP SUMMIT, the Japanese pop culture event held annually in San Francisco, has announced DAY 1 programming. This year’s festival is highlighted by live music from a wide range of pop, ani-pop, electronica, punk/alternative, and a cappella artists, as well as live comedy and other acts to complement an extensive roster of attractions, participants and exhibits, and other live programming.
Debut Of First Two Print Volumes Of The Manga Series About A Superhero Who Just Needs A Villain Strong Enough To Take Him On; Special Digital Preview Of Opening Chapters Available
San Francisco, CA, June 5, 2015 – VIZ Media, LLC (VIZ Media), the largest publisher, distributor and licensor of manga and anime in North America, delivers a knock-out blow, manga style, with the exciting print debut later this summer of the acclaimed superhero series, ONE-PUNCH MAN.
An Average Guy With A Family Full Of Celebrities Dreams Only Of Becoming A Manga Creator Until Romance Intervenes And Catapults Him Back Into The Life Of A Cute Actor He Knows From Childhood
San Francisco, CA, May 1, 2015 – SuBLime, the leading global yaoi manga publisher in the English language, is proud to announce the launch of the romantic comedy LOVE STAGE!! on May 12th.
The yaoi manga series by noted creators Eiki Eiki and Taishi Zaou will be released in print and digital and is rated ‘M’ for Mature Readers. Individual print volumes will carry an MSRP of $12.99 U.S. / $14.99 CAN.
After a few weeks of procrastination, we finally have the Fanime 2014 Report up. What to say about this year? A lot better than last year, let me tell you. Though I think we need a lot more participation from our fellow journalists than simply walking around and taking pictures, like providing some feedback and participating a bit more in the events other than just showing up thinking everything will be ready for whatever...we need to get in there and take a bit more of a part of production so we can all do our jobs better and not step on each other's toes. Honestly, though, that's more of a personal anecdote. Read on to see more about what the convention was about and how well they did this year.
So here we are, eight years since the first time I've been to Fanime, and six, I believe, that I've worked with them as a member of the press for Dragon's Anime and TFA Cosplay. Some things have changed and some have remained the same. The location, for one, has remained constant, though the use of that location, as well as the construction of the location itself has altered over time. Most of the main events have remained constant, though in the cases of the Music Fest, have widened considerably in scope. Stage Zero remains one of those basically ongoing events that one can just stop in the middle of their traversals through Fanime and take in, but the presentations have been getting more and more formalized with Singing, Maid Para Para Dancing, and the like in addition to the game shows and whatnot that have been there staple of the location. Opening Ceremonies has grown from Stage Zero to encompassing the entire entrance to the convention center, and sometimes even outside depending on what sort of things they will have going on. All in all, it's still a convention by the fans, for the fans, but it is growing, and while the location is growing with it, I've noted in my last few reports that I'm curious as to when true saturation point there in down town San Jose will occur, and what that will mean for the convention. Still, that's just idle speculation at present; it's time to get to the main event.
Looking for anime that doesn't feed the disease is becoming akin to finding a politician that is not corrupt. To satisfy this desire, I find myself looking at anime I didn't get to the first time around, and here we wind up with Ixion Saga DT; one that will go down in infamy as setting a new bar for the wrongest of the wrong parodies out there which is what this review will be about.
Ixion Saga DT is your generic story of a man summoned to another world to save the...
Wait, did he just DO that?! OH! That shit looks like it hurt! Holy shit, dude, that dude just got....and the hits just keep on coming! Oh the pain! The fuck?! He just...that's wrong dudes, that's wrong! Mercy! For fuck's sake, mercy!
1984. A relatively unremarkable year, all things considered. Ma Bell was broken up, Michael Jackson provided his own stage lighting when his hair caught on fire during a Pepsi commercial filming, and Ronald Reagan tries his hand at humor with the line, "My fellow Americans, I'm pleased to tell you today that I've signed legislation that will outlaw Russia forever. We begin bombing in five minutes," during a radio voice check. Nothing particularly interesting. A legion of little transforming toy robots invaded and forever corrupted my co-writer's consciousness as Transformers debuted. Like I said... small potatoes. And oh yes... A little town on an island on the East Coast got overrun by ghosts, goblins, ghouls, spirits, apparitions, and one really nimble little minx with a flat top... But who you gonna call when something like THAT happens?!
I've said before that generally, Mecha anime aren't really my niche. Now and then I see something that seems like it might be interesting, and take a look at it, but for the most part, I tend toward other genres. So, when Tengen Toppa Gurren Lagann went past in my feeder, I didn't pay too much attention. It wasn't, in fact, until after four weeks of listening to Drakstern rave about the series in #TenchiFF that I finally took the time to see what was up. If you like your characters to be laid back, level headed... sane, you might as well stop reading now... Because sane is not a term that can be honestly applied to the better part of the cast of TTGL.
There's an old proverb that goes something like this: "No good deed goes unpunished." Sort of the bane of all Boy Scouts, but it can be, at times, remarkably accurate... Sometimes, the good deed just plain ain't worth the trouble that follows in its wake. Consider, if you will, the main character in Kaibutsu Oujo, Hiro Hiyorimi. Hiro lives up to the homonym of his name... and winds up dead for taking the trouble. Like I said, "No good deed goes unpunished." Unfortunately for our dearly departed hero, the punishment is only just beginning... he does, though, make for a very nice corpse.